Publication Journal articles

1. Savrami K., “The Two Diverse Versions of the Dance Zeimbekiko”, Dance Studies, vol. 16, pp. 57-103, Jersey, 1992.

2. Savrami K., “Selected Methods of Documentation and Analysis in Choreological Research”, A diversified Laban Analysis Approach, ed. Jeffrey Scott Longstaff, Laban Centre, London, UK, 1999.

3. Pollatou Elisana, Savrami Katia, Karadimou Konstantina, “Introducing aesthetic features in gymnastic skills”, Teaching Elementary Physical Education, March 2004, pp. 33-34.

4. A.Yannopoulos, K. Savrami, T. Varvarigou, “A Theoretical Foundation and Formal Introduction for “DirectorNotation”, Multimedia Systems, Springer Verlag, 2008.

5. A. Yannopoulos, K. Savrami, T. Varvarigou, “Artistic Notation Systems Integrated in Software Engineering of Knowledge Technologies: emphasizing film, animation and games, ACM JOCCH (Journal of Computers and Cultural Heritage), Special Issue on “Research Agendas in ICT and Cultural Heritage”, 2008.

6. A. Yannopoulos, K. Savrami, T. Varvarigou, “DirectorNotation as a Tool for Aml & Intelligent Content: an Introduction by Example”, International Journal of Cognitive Informatics and Natural Intelligence (IJCiNi), 2008.

7. Savrami Κ., «Yes we can’t: dance discourse and collective memory», Utopia Journal, Volume 89, 2010,Topos pp.. 93-100.

8. Savrami K., “Dance in Education: The Greek Reality”, Research in Dance Education, εκδ. Routledge, Taylor & Francis, UK, 13, 1, 2012, σελ. 99- 106.

 9. Savrami K., “Martha Graham’s Lamentation: A contemporary Revival”, Choros International Dance Journal, 2, spring 2013, pp. 33-50.

10. Roznowski R. and Savrami K. (2016), “Capturing the Moment: Creating Hybrid Performances through Collaborative Polarity”, Choros International Dance Journal, 5, spring 2016, pp. 38-50.

11. Tsouvala, M. and Savrami, K. (2016), “The Human Body in Contemporary Dance: from costumes to nakedness”, Critical Stages/Scènes Critiques, June 2016, Issue No 13, Peer- reviewed web journal published by the International Association of Theatre Critics, pp. 1-18. And Tsouvala M. and Savrami K., “The Shock of the Nude”, The Gay and Lesbian Review Worldwide, vol. XXIV, no 4, July-August 2017, pp. 15-19.

12. Savrami K., “Does dance matter? The relevance of dance technique in professional actor training”, Research in Dance Education. Routledge, Taylor & Francis, UK, 17, 3, Dec. 2016, pp. 204-217. 13. Savrami K., “A duet between science and art: neural correlates of dance improvisation”, Research in Dance Education. Routledge, Taylor & Francis, UK, 18, 3, Dec. 2017, pp. 273-290.