{"id":1011,"date":"2021-01-31T15:53:06","date_gmt":"2021-01-31T15:53:06","guid":{"rendered":"https:\/\/savrami.gr\/?page_id=1011"},"modified":"2021-02-14T14:10:13","modified_gmt":"2021-02-14T14:10:13","slug":"book-publications","status":"publish","type":"page","link":"https:\/\/savrami.gr\/en\/publications\/book-publications\/","title":{"rendered":"Book Publications"},"content":{"rendered":"\n<div class=\"wp-block-qubely-row alignfull qubely-section qubely-block-2a46ce\"><div class=\"qubely-row-overlay\"><\/div><div class=\"qubely-container\"><div class=\"qubely-row \">\n<div class=\"wp-block-qubely-column qubely-column qubely-column-front qubely-block-a451d6\"><div class=\"qubely-column-inner\">\n<div class=\"wp-block-qubely-heading qubely-block-679654\"><div class=\"qubely-block-heading  \"><div class=\"qubely-heading-container\"><h2 class=\"qubely-heading-selector\">Publications<\/h2><\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-qubely-column qubely-column qubely-column-front qubely-block-6f3fb5\"><div class=\"qubely-column-inner\"><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-qubely-row qubely-section qubely-block-cdf1c2\"><div class=\"qubely-row-overlay\"><\/div><div class=\"qubely-container\"><div class=\"qubely-row \">\n<div class=\"wp-block-qubely-column qubely-column qubely-column-front qubely-block-6e506b\"><div class=\"qubely-column-inner\">\n<div class=\"wp-block-qubely-heading qubely-block-ea0bd1\"><div class=\"qubely-block-heading  qubely-has-separator qubely-separator-position-bottom\"><div class=\"qubely-heading-container\"><h2 class=\"qubely-heading-selector\">Book Publications<\/h2><div class=\"qubely-separator qubely-separator-after\"><span class=\"qubely-separator-type-css qubely-separator-solid\"><\/span><\/div><\/div><\/div><\/div>\n\n\n\n<p>Editor of a series of Books in Greek and English Technes (8), including a variety of topics on Dance and Art, by DIAN publisher, Athens. <a href=\"http:\/\/dian.gr\/product-category\/books\/texnes\">http:\/\/dian.gr\/product-category\/books\/texnes<\/a><\/p>\n\n\n\n<p>Recent publications titled: Dancing Dialogues, Anthology from the 7 issues of Choros International Dance Journal, (Foreword by Maxine SheetsJohnstone) Volume I, 2019 \u03ba\u03b1\u03b9 Volume II, 2020. Including: Volume I: SECTION 1, On Theory and History (1.1. Moving in Concert MAXINE SHEETS-JOHNSTONE. 1.2. Odysseus Weeping RAMSAY BURT. 1.3. In Remembrance of Dance Lost GRAHAM McFEE. 1.4. On (Not-) Becoming Repertoire, Re-doing Appropriation in Contemporary Choreography EFROSINI PROTOPAPA. 1.5. Eva Palmer-Sikelianos Dances Aeschylus: The Politics of Historical Reenactment when Staging the Rites of the Past SAMUEL N. DORF. 1.6. Appropriations of Hellenism: A Reconsideration of Early Twentieth-Century American Physical Culture Practices NATALIE ZERVOU. 1.7. The Founding of American Ballet Theatre on the Eve of War, 1939\u20131944: Depression, Modernity and the Holocaust NINOTCHKA D. BENNAHUM) . SECTION 2, Modes of Research in Dance (2.1. On the Methodology of Practice as Research ROBIN NELSON. 2.2. Explaining a Dream: Writing the Simultaneity of Performance (Practice based Research) KAREN CHRISTOPHER. 2.3. Towards a Methodology for Studying Greek Dance STERIANI TSINTZILONI. 2.4. Demolition: A Destabilizing Force for Transgressing Artistic Disciplines ARIADNE MIKOU. 2.5. Fictional Screendance Typology DIONYSIOS TSAFTARIDIS) Volume II: SECTION 1 On Dance Politics, Activism and Queerness (1.1. The Act of Making: Dance as Aesthetic ActivismSHERRY B. SHAPIRO. 1.2. Injurious Acts: A Struggle with Sissy in Performance NANDO MESSIAS. 1.3. Think, Talk, Act and Enjoy! On Artistic Interventions for Change EFVA LILJA. 1.4. Trajal Harrell\u2019s Antigone Sr. \/ Twenty Looks or Paris is Burning at the Judson Church (L): Antigone Voguing on a Catwalk? CHARITINI TSIKOURA. 1.5. Embodying the Crisis: The Body as a Site of Resistance in Post-bailout Greece \u0399\u039f\u0391\u039d\u039d\u0391 \u03a4\u0396\u0391R\u03a4\u0396\u0391\u039d\u0399. 1.6. Taking the Next Step: Dance Advocacy in Greece ANN COOPER ALBRIGHT. SECTION 2 Issues on Dance Education (2.1. Dance Artists in Academia: Developing a BA Course in the Maltese Context JO BUTTERWORTH. 2.2. Dancing from a Distance: International Collaboration in Higher Education via the Internet PAULINE BROOKS. 2.3. Dancing Toward Inclusion: Embedded Assumptions and Innovations in Functional Anatomy PEGGY GOULD. 2.4. Movement, Myths and Metaphors: A Story of the Dance Technique Class and its Demise ERICA STANTON. 2.5. The Ability of Using Symbols and its Contribution to Dance Learning: The Laban Notation System ASPASIA DANIA, MARIA KOUTSOUBA, VASILIKI TYROVOLA).<\/p>\n\n\n\n<p><strong>Monographs<\/strong><\/p>\n\n\n\n<p>Savrami K., \u201cTracing the Landscape of Dance in Greece\u201d (Foreword by Ann Cooper Albright) Cambridge Scholars Publishing, UK, 2020.<\/p>\n\n\n\n<p>&nbsp;Savrami K., \u201cAncient Dramatic Chorus Through the Eyes of a Modern Choreographer. Zouzou Nikoloudi\u201d, Cambridge Scholars Publishing, UK, 2016. Book review, by Professor Ioannis Konstantakos, Classic Journal Online, 06.03.2018.<\/p>\n\n\n\n<p>&nbsp;Savrami K., Zouzou Nikoloudi, Chorica, DIAN, Athens 2014 (in Greek language).<\/p>\n\n\n\n<p>&nbsp;Savrami K., Harris Mantafounis, a choreological approach of his work, DIAN, Athens 2012 (in Greek language).<\/p>\n\n\n\n<p>Savrami K., Rhythmic Gymnastics Sport And Art (extracts from my PhD Thesis). Athlotipo, Athens 2004 (in Greek language).<\/p>\n\n\n\n<p>&nbsp;Savrami, K., Kinisiografika. Salto Publications, Athens, 1990 (in Greek language).<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Translation\/editing Marion Gough, Knowing Dance: A Guide for Creative Teaching (1999), translated by Katia Savrami in Greek Language with additional introduction and bibliography, DIAN publishers, Athens, 2008.<\/p>\n\n\n\n<div style=\"height:140px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":999,"menu_order":65,"comment_status":"closed","ping_status":"closed","template":"","meta":{"qubely_global_settings":"","qubely_interactions":"","footnotes":""},"class_list":["post-1011","page","type-page","status-publish","hentry"],"blocksy_meta":{"page_title_panel":"","has_hero_section":"disabled","0df2dca53447789c9966a9ee2482ae8e":"","hero_section":"type-1","hero_elements":[{"id":"custom_title","enabled":true,"heading_tag":"h1","title":"Home"},{"id":"custom_description","enabled":true,"description_visibility":{"desktop":true,"tablet":true,"mobile":false}},{"id":"custom_meta","enabled":false,"meta_elements":[{"id":"author","enabled":true,"label":"By","has_author_avatar":"yes","avatar_size":25},{"id":"post_date","enabled":true,"label":"On","date_format_source":"default","date_format":"M j, Y"},{"id":"comments","enabled":true}],"page_meta_elements":{"joined":true,"articles_count":true,"comments":true}},{"id":"breadcrumbs","enabled":false}],"9a068402903147dab0312ed721d813d1":"","hero_alignment1":"left","hero_alignment2":"center","hero_vertical_alignment":"center","878df3921d36f5f7834a2f50f2d62119":"","hero_structure":"narrow","c672b96ecc952ad64c8c2d7fdf1a61dc":"","page_title_bg_type":"featured_image","custom_hero_background":{"attachment_id":null},"parallax":{"desktop":false,"tablet":false,"mobile":false},"cc7bcd5456d7cac909e888486d83b616":"","hero_height":"250px","pageTitleFont":{"family":"Default","variation":"Default","size":{"desktop":"32px","tablet":"30px","mobile":"25px"},"line-height":"CT_CSS_SKIP_RULE","letter-spacing":"CT_CSS_SKIP_RULE","text-transform":"CT_CSS_SKIP_RULE","text-decoration":"CT_CSS_SKIP_RULE"},"pageTitleFontColor":{"default":{"color":"CT_CSS_SKIP_RULEDEFAULT"}},"pageMetaFont":{"family":"Default","variation":"n6","size":"12px","line-height":"1.3","letter-spacing":"CT_CSS_SKIP_RULE","text-transform":"uppercase","text-decoration":"CT_CSS_SKIP_RULE"},"pageMetaFontColor":{"default":{"color":"CT_CSS_SKIP_RULEDEFAULT"},"hover":{"color":"CT_CSS_SKIP_RULEDEFAULT"}},"pageExcerptFont":{"family":"Default","variation":"Default","size":"CT_CSS_SKIP_RULE","line-height":"CT_CSS_SKIP_RULE","letter-spacing":"CT_CSS_SKIP_RULE","text-transform":"CT_CSS_SKIP_RULE","text-decoration":"CT_CSS_SKIP_RULE"},"pageExcerptColor":{"default":{"color":"CT_CSS_SKIP_RULEDEFAULT"}},"breadcrumbsFont":{"family":"Default","variation":"n6","size":"12px","line-height":"CT_CSS_SKIP_RULE","letter-spacing":"CT_CSS_SKIP_RULE","text-transform":"uppercase","text-decoration":"CT_CSS_SKIP_RULE"},"breadcrumbsFontColor":{"default":{"color":"CT_CSS_SKIP_RULEDEFAULT"},"initial":{"color":"CT_CSS_SKIP_RULEDEFAULT"},"hover":{"color":"CT_CSS_SKIP_RULEDEFAULT"}},"pageTitleOverlay":{"default":{"color":"rgba(41, 51, 60, 0.2)"}},"pageTitleBackground":{"background_type":"color","background_pattern":"type-1","background_image":{"attachment_id":null,"x":0,"y":0},"background_repeat":"no-repeat","background_size":"auto","background_attachment":"scroll","patternColor":{"default":{"color":"#e5e7ea"}},"backgroundColor":{"default":{"color":"#EDEFF2"}}},"5384544efa2613b7222fa667fe0c3bd5":"","page_structure_type":"default","content_style":"inherit","vertical_spacing_source":"custom","content_area_spacing":"none","background":{"background_type":"color","background_pattern":"type-1","background_image":{"attachment_id":null,"x":0,"y":0},"background_repeat":"no-repeat","background_size":"auto","background_attachment":"scroll","patternColor":{"default":{"color":"#e5e7ea"}},"backgroundColor":{"default":{"color":"CT_CSS_SKIP_RULE"}}},"content_background":{"background_type":"color","background_pattern":"type-1","background_image":{"attachment_id":null,"x":0,"y":0},"background_repeat":"no-repeat","background_size":"auto","background_attachment":"scroll","patternColor":{"default":{"color":"#e5e7ea"}},"backgroundColor":{"default":{"color":"#ffffff"}}},"content_boxed_spacing":{"desktop":"40px","tablet":"35px","mobile":"20px"},"content_boxed_radius":{"top":"3px","bottom":"3px","left":"3px","right":"3px","linked":true},"content_boxed_shadow":{"blur":18,"spread":-6,"v_offset":12,"h_offset":0,"inset":false,"enable":true,"color":{"color":"rgba(34, 56, 101, 0.04)"}},"7b360c47770bb2bc7820037d1b7ccdae":"","disable_featured_image":"no","disable_header":"no","disable_footer":"no","styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":6}},"_links":{"self":[{"href":"https:\/\/savrami.gr\/en\/wp-json\/wp\/v2\/pages\/1011","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/savrami.gr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/savrami.gr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/savrami.gr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/savrami.gr\/en\/wp-json\/wp\/v2\/comments?post=1011"}],"version-history":[{"count":3,"href":"https:\/\/savrami.gr\/en\/wp-json\/wp\/v2\/pages\/1011\/revisions"}],"predecessor-version":[{"id":1360,"href":"https:\/\/savrami.gr\/en\/wp-json\/wp\/v2\/pages\/1011\/revisions\/1360"}],"up":[{"embeddable":true,"href":"https:\/\/savrami.gr\/en\/wp-json\/wp\/v2\/pages\/999"}],"wp:attachment":[{"href":"https:\/\/savrami.gr\/en\/wp-json\/wp\/v2\/media?parent=1011"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}