Savrami K., “Cassia’s “Woman of Many Sins”: From the Two-Dimensional to the Three-Dimensional Interpretation of Byzantine Poetry”, in THEORETICAL APPROACHES TO PERFORMANCE AND PERFORMATIVITY (ed.) Niki Tsironi. London: Rutledge, forthcoming, 2021.

Savrami K., The Dynamic in space, exploring and developing Rudolf Laban’s ideas for the 21st century , presentations title: DirectorNotation from the Laban International Conference, October 2008, at Laban Center Conservatoire of Music and Dance, London, (ed.) Valerie PrestonDunlop, Lesley-Anne Sayers. London: Dance Books, 2010.

Savrami K., “The Analytical and Educational model of Choreological Studies” in Theory of Dance. pp 135-148 (ed.) K Savrami (Open University, Greece 2003).

Savrami K., Introduction for The Album Dance on the Contemporary Greek Choreographers, Introduction. KOAN, Athens 2004.

Savrami K., “Aesthetic Evaluation in Dance” in The Art Of Dancing Today–Education, Production, Performance. pp 31-39 (proceedings ed.) K. Savrami (Alexander S. Onassis Public Benefit Foundation, Athens 2003).

Savrami K., “Dance and Criticism” in Art Judgements. pp 55-78 (ed.) K. Savrami (DIAN, Athens 2002).

Savrami K., “Aesthetic Evaluation in Art and Sport” in Terpsichore: Seven Moves. pp 43-64 (ed.) K. Savrami (DIAN, Athens 2002).

Savrami K., “Rhythmic Sport Gymnastics and Aesthetic Evaluation” in Culture and Art: Seven Essays On Dance. pp 168-192 (ed.) A. Lionarakis,(Propombos, Athens 2000).

Savrami K., “Bodies that move and co-move”. University of Patras Press, 2010, pp 74-88. In Dance and Narrativity, 2009 (proceedings ed. Savrami K., (ed.) An Artists Profile: Dora Tsatsou. (DIAN, Athens 2004).